Pan Nalin established a parallel world through Angry Indian Goddesses…  

Friday, December 4, 2015

Verdict: 3 /5

Just like every pore is not similar to another, each mind has different source of thinking, even my fingers are not akin to each other but does these developments are just a root cause of discriminations between the society. We are divided into caste,creed and race but the most disgusting of all these are the inequality of gender because it’s common in every cast, creed and race although we all are discussing so widely about this issue but the changes are still not evident in the most of the social institutions, their walls are much stronger than the voices. Amidst of all these woefulness Pan Nalin sets-up an analogue of women which is not only similar of male world but every motion and emotions are identical, in spite of they being treated very badly by the times, which itself is very explanatory that how much inferiority fear Is actually prevailed in the psychic of male that they conspire this whole world with tricks where Venus is mint as a donor and Mars is like exploiter. There are so many things needs to be tackled in sensitive way but female revolution is important because we all know these facts that when society becomes anarchic it should be countered with the revolution. In Angry Indian Goddesses basically I missed this argument, unlike its name this film is again a mixture of routine life of female who are ambitious, bold, spirited yet lonely dealing with day to day life.

Film opens with seven free spirited women from different milieus coming together in a verdant of Goa for their friend’s wedding which is very confined and everybody is clueless about the groom and this mystical formation explores this film in various directions but the problem is it's preachy narratives which disturbed me thoroughly. This is definitely not a film like Pan Nalin’s Samsara or Valley of Flowers where inner-conflicts races against the outer attractions. Angry Indian Goddesses are definitely not different from any other feminist film, but this joins the league of same makeover.

All the girls are perfectly fitted in their character, very convincing but I am seeing female in much literal way of anger. They are not confined as saviour but as a winner who dictates the term.

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