Friday, August 19, 2016

VERDICT: 2 /5stars

The fulcrum of #HappyBhagJayegi was totally choppy. It has many things which would have made this a terrific film but sadly it didn’t happen. When lots of expectation hovering inside the brain it is obvious that there is some somber feeling hiding around. I am out of Mumbai for very long and it is too difficult for me to watch cinema but my passion never let me down, it keeps my aficionado awake, that fights with some of my jaunty feeling, So here I am and that’s how I went to Happy Bhag Jayegi but Mr. Director Mudassar Aziz was basically confused about everything and he also let audience into perplexed mode, where they laugh, why they laugh and what is this journey all about? Is only Pakistan Subject matters? Not very similar to #BajrangiBhaijaan but narrative has blended with mix characteristics.
A girl from #Amritsar (Punjab) run away from her own wedding ceremony but by mistake she jumps on the wrong truck which was carrying delegation of Pakistan so very obviously Ms. Happy #DianaPenty opens her eyes literally in Lahore and BOOM! Right? But it simultaneously lost the plot very miserably. #AanandLRai was one man who produced good and sensitive film like #NilBatteySannata but this time he fails to understand the strength of script. This entire film was suffering with wrong comic timing, under constructed plots and fused emotions.
Even after having an interesting story, few funny trickles and precisely a good performance by #JimmyShergill who looks attractive as well, other than him all other artist fails to convince their characters, Diana Penty has very similar role like Anushka Sharma of Band Baja Baraat but she intermittently pulls-out freshness and the most upsetting part was to see #AbhayDeol, I just couldn’t believe how depressing he was? He looks unbearable, non-refreshing and very much frightened. And look what Piyush Mishra is doing which reminds you of #PankajKapur as Technicolor in “Ram-Jane” was worst in it.
Music was not memorable, very poor editing especially when Piyush and Abhay landed for the 1st time in India, Cinematography is ordinary.
I am not going to recommend this film to any one…


This is the time when people are engaging with many others and what they clamp something very urgent after watching almost one and a quarter hours of movie which needs to come out with abstract reactions and I feel it should be marked so here I am going to launch another section which must be more authentic than our feelings on the parameter of entertainment. But I am sorry in my theatre nobody was with me so the silence is more vociferous… 

AddThis Social Bookmark Button
Links to this post

Little Thrill, little Flat, little emotional, little sortie are all about #Madaari  

Friday, July 22, 2016

Verdict: 3 /5 Star

This movie began with some media reports about kidnapping of home minister’s son then suddenly turns to other disaster report, flashing about some corruption new and all that. Then we see the fantastic entry of Irffan Khan in his long curly hair, heavy bearded, wearing cap sitting at the side berth in Train, that was indeed an exciting throw but just like the bouncing ball it lacks consistency. It looks slightly habitant affair for Mr. Director Nishikant Kamat to show this whole narrative with the balance between political functionaries and thrill. Nishikant Kamat just did the feeble film “Rocky Handsome” and comes up with #Madaari which has some strong abbreviations but here once again his script fails to deliver to expectations. Very similar touch of a cult movie Rang De Basanti, here we all saw the reasoning behind this corruption theory and just like ‘A Wednesday’ he puts the ‘Aam Adami’ to take  charge to fight against the system.
Nirmal Kumar is a simple networking technician, a single parent who devoted everything for his 7 year old child who was killed in an accident, this is where he decides to take revenge just to show the apathy of political class. For very long time this bingo attracts many directors and even the general public experiences it once in a lifetime at least. This may was the risk for both director and maker but I was somehow convinced with entire concept, every small person wants to see politicians being punished, their own catharsis explodes after watching this kind of cinema. The storytelling is only the way to stage yourself differently amongst others. Here we see the little different storytelling with many small punches, major twists and of course the emotional quotient. There are many things which dramatize your mind but certain portions are too slow.
I always wonder about Nishikant Kamat that how he crafts the characters behavior which is usually new to the audience, the whole characterization of Irffan Khan is very impressive, even Irffan crossed all his limits, his terrific performance has many blends whether he is crying or talking with self. His outstanding presence is enough for any film, he knows how to adopt the story in his way. Child artist Vishesh Bansal looks cute but unable to touch my heart. On the other hand Jimmy Shergill was powerful, sleek and smart. But the problem starts with the chase, on this front Director fails to grapple the anxiety, he may want to show the face of every simpleton who is all unknown to the world and it’s very intricate to find out who is whom. Logics may transform the thought but for general people thrill means when you are dragged for what extent you don’t know!
I am confidently stating this that you can splurge for it…. 

AddThis Social Bookmark Button
Links to this post

Re ‪#‎Sultan‬ ! It’s all about Salman Khan  

Thursday, July 7, 2016

Verdict: 3 /5 Stars

Once again he proves himself as an undisputed Sultan of Bollywood, believe me nobody is close to him. His swagger movement, groaning attitude and power of being ‪#‎SalmanKhan‬ is what people wants. I always questioned him for his acting skills, but he is a champion of entertainment, so again in the midst when Bollywood is actually suffering from big crisis and desperately needs Magnum opus hit Salman Bhai reins their appetites with his multi-fashioned styles. 
#Sultan is a kind of fictitious biographical drama, about a self-styled wrestler living in Haryana who wins Olympic and become world champion. His girlfriend (‪#‎AnushkaSharma‬) cum wife plays a very important role in his life to become a greatest wrestler. This film starts with the early climax, Director already set the premises where I was little annoyed because this similar establishment had already been put in movie ‘Brother’ but this is the only analogy which complicates me but when Mr. Director ‪#‎AliAbbasJafar‬pulls us back to almost 8 years and shows the inception of Sultan (Salman Khan) I felt calm, so the simple 30 year old unemployed village man still runs to catch the kite has no proper mission in life suddenly falls in love with female wrestler (Anushka Sharma) who is preparing for ‪#‎Olympics‬with full passion, once humiliated Sultan in front of his friends and from there his successful journey begins but tragic mid time crisis destroys his life, but you know he is Salman Khan so he must come back….
The most powerful elements of this film is Haryanavi Dialogues but those are not only dialogues or a matter of communicating things but what I learn was the actual theorem of language that it comes, delivers or shows you nature and even temperaments of society, and Mr. Jafar goes very far with this, he abbreviated an all new things where we can feel the nature of Haryana and that is commendable. As a gritty female Anushka Sharma was just fantastic, she was so adorable in this film that sometimes you take liberty to shift your eyes from Salman Khan, even long time missing from screen ‪#‎AmitSadh‬ looks good and smart but again playing as a special guest appearance ‪#‎RandeepHooda‬ won the heart of people, he was just charismatic. And i specially mention #Anantsharma (Sultan's Friend) actually did the most fantastic and fascinating performance and clearly a winner in supporting role. 
Over all and above all It’s a Salman Khan film and he knows that people loves him in any which way. He single handedly carried this film not just as Salman, the Charmer but also as a performer, it is as if everybody was doing this from the bottom of their heart. Even the film Director does not show Salman Khan as an arrogant messiah of masses, he used simple tools to lure people that How humble Bhaijaan is ?
Some intense fights were remarkable, and Salman khan did them with full of energy, I loved that shot where for the first time he takes off his shirt not to show his packs but his unshaped belly. That was the point I felt that he has acting skills but very few in this Industry has shown.
This film is an accumulation of emotion, action and stardom, little slow in first half but doesn’t matter that pushes this to not a regular action film, it shapes Salman Khan in different way.
If you want to reach-out for sober entertainment, go for it, you will definitely not get disappointed.
Special Thanks to Mr. ‪#‎AdityaChopra‬.

AddThis Social Bookmark Button
Links to this post

#Raman Raghav2.0 redefines AKS….  

Friday, June 24, 2016

Verdict: 3 /5 Stars

But in a more simplified way.  Here Manoj Bajpai urf Raghavan turns to Raman and Mr. Bachachan turns to Raghav, when I saw Aks, truly I didn’t understand it then but with the passing time I fomented my desire to explore the 4th world and I bought the DVD of “Aks”, thoroughly traversed to the other perspective which changed me a lot but When it comes to Mr. Director #Anuragkashyap, he binds the lace of soul mates in just 8 chapters. In prima facie it looks like a perfect blend of psycho-thriller but if you already gone by the posters of #Ramanraghav2.0 then you realizes that the “AKS” is transferred.

#AnuragKashyap is known as a difficult filmmaker, his grainy approach towards characters, successfully following the dark shadows, his extreme obsession about fret mentality which some how automatically falls under his own shadow, where all his grimy abstract ideas exists in the form of ‘Scorsese’, if you remember Max Cady of ‘Cape fear’ or Jake of ‘Raging bull’ then only you will be able to cross the viaduct otherwise would meander into the lawful and lawlessness only to bring black & white rectangles of a chessboard where at the end Raman is brandishing his bent iron rod. Actually these darker shades were already told many times by #Anuragkashyap, so overall atmosphere, drugs; self-destructive pustule characterizations are all similar.

Here his definition is clearer to me, the one who killed naturally and the other who killed in hiding. One is free from any fear and the other is disturbed by the fear and at the end both become a necessity. In the world of #Anuragkashyap both the identities doesn't want any redemption or feeling any remorse, they are just indecent.

If I saw this film in holistic way then it started well with some catchy dialogues, exploration of a mindset with small disturbing thrills but slowly it was fading-out with some predictable moments. But the strongest things are performances that maul your imaginations very badly. Nawazuddin Siddqui was terrific, tragic and horrifying, he carries this film solely, his walk, his run, his dialogue delivery, his glaring eyes were just mesmerizing, although I have always been a great admirer of Irrfan Khan but now Nawaz stole that seed from me, Vicky Kaushal as Raghav is also brilliant in every form whether his addiction to drugs or his unknown guilt or even strange relationships, he excels. Other characters are also good. I love Ram Sampath’s music that lances my instincts.

So overall this film doesn’t have hardcore substance but it has height of performances. I am not going to write story of this film because that may haze your thrills. 

If nonsensical-sexiest films bores you then go for this hardcore greenish film. Which is not RED.

AddThis Social Bookmark Button
Links to this post

#UDTAPUNJAB is nothing more than a propaganda film…  

Friday, June 17, 2016

Verdict: 2 /5 stars

Poorly crafted, seems deliberately enacted with marketing strategies. It is too lighter than the gruesome truth that Punjab is facing. In this documentary cum episodic plot I kept my mobile on and scrolled it just to avoid being repetitive.  I am thinking if Mr. Nihlani has given this film a smooth go then what would have been the fate?  This movie is not worth of all the hype which was rigorously circulated by the media. Why Mr. Nihlani gave-away the much practisized tools to the makers, who already knew that #Udtapunjab will squat just after its release, but controversies draws attentions yet it’s still unable to create buzz in people’s mind. I was sitting in the vacant theatre, rolling my thoughts up and down, frequently pulling the bathroom door, spraying the commode, styled my moustache, refraining myself to enter the screening room but when I managed to set-in, the similar plots were showering…. What the “F” ?

The problem is not only to understand situation of Punjab but in a more vigorous way it lies being an aficionado of International Cinema, when it comes to characterization it becomes so unrealistic where you couldn’t possibly attach a bit with it… unwanted madness, lame graffiti of society, still fearful to reach in-depth. This is certainly not a Chaubey’s style of filmmaking he was surely under the influence of those cinemas like Requiem for a dream. This must have thrived his mind so badly that the result was pathetic, far away from the core facts.

For that matter just take a character of Tommy (Shahid) a singer, he is extremely volatile, boorish, turbulent, drawn by cocaine, suddenly gets enlightened in police cell and throw lectures during his show. When u keenly observes this entire episode, you got amazed that there is no SEX exists in the so-called drug ghettos. The minute your thought goes minus sex, you lost the way then and there. The wildness of drugs are very much proportionate to sex and women.

I have no intention to write its storyline, because it’s again a torture. Different-2 characters placed into circumstantial conditions, moving along with director’s demand not by their own merits. Exercising with ongoing situations and finally they all gathered like Priyadarshan’s climax. The End.

But there are some “Aha’ moments like Shahid’s performance was remarkable, I love the way Alia spoke in Bihari slangs, her efforts were visible. Kareena Kapoor looks old and pitty, Diljit was very natural and I must say he left his presence.

It’s a very melodramatic film, relying totally on editing but sometimes those cuts were so sharp that left you empty handed. After all very edgy cuts it’s a very lengthy film and if you want to know the Punjab’s problem in a superficial way then go and watch.          

AddThis Social Bookmark Button
Links to this post

#Te3N simply welds the pores without disturbing the beneath thrills  

Friday, June 10, 2016

Verdict: 3 /5 stars

When I saw Mr. Bachchan’s entry, I must tell you his still wary eyes, entangled wrinkles, jaw-dropping expression takes me away from theater to his own world. He was so high in his performance that stomps us into his long wait for justice. Almost eight years back his grand daughter was kidnapped and killed by a stranger, no leads were found by the police and it was shut case, but Mr. John Biswas still a seeker of truth and his firm belief pushes Father Martine played by solid Nawazuddin Siddique to look for truth, a one-time police officer who investigated the matter and to come out from the grieves of not performing, Nawazuddin’s performance as a strict denial character is rock solid and praiseworthy.

It looks like a very simple story and believe me it is, but the way it is executed is engrossing. A quiet milieu is very supportive to craft the thrill, just like Kahaani, it grabbles with local elements old fashioned houses, tortuous shabby aisles and very importantly slow moving life of Kolkata “ Yahaan Jaldi Kuch Nahi Hota”. Te3n is a remake of a Korean film ‘Montage’ but it gives almost justice to that. The first half was little slow, showing Mr. Bachchan’s daily struggle with decrepit scooter, continuously listening his granddaughter’s voice, fulfilling his daily needs, caring his crippled wife went unexpectedly slightly far which was not mending with the situations, Te3n even suffers with its lame climax. After finding the culprit, it goes unnecessarily into tying up the loose ends. A short of predictability surely weaken its intent but presentation was interesting.

The cinematography is very much close to life’s of Kolkata and even divulges the entire ambience the way it is. Vidya Balan (Sarita) is another character in the film which balances the proximity of lose but she is little heavy for the film, I am totally disappointed with her out of the sink performance. This work of art has mix flavor, at some instance it may give you a jerk or it slides away without catching the emotional transcendence.

I wish it could hold the mystery for some more time.        

AddThis Social Bookmark Button
Links to this post

#Sarbjit; An Emotional Journey of Suffering and a sufferer !  

Saturday, May 21, 2016

Verdict: 3 /5 stars

I think we shouldn’t see this mirror in any critical manner; some perspective has bigger pain than analyzing the film. Our thrust should never be to torn something. Omung Kumar’s Sarbjit is a second biopic after Mary Kom which was not as deep like this, basically I was very disappointed with Mary Kom, Though this comeback is certainly not his best but it’s strong. I admire Omung Kumar for making Sarbjit alive once again in our moist eyes. Every biopic already has enough strength to convert into a good visuals whether it’s a story of a sports person or some politician or even business tycoons but very few has heart breaking quench and Sarbjit falls in this category. How he languished for more than two decades as a prisoner in Pakistani jail, convicted for espionage and bomb attack.

Almost every Indian knows about Sarbjit and how his life made news headlines here, which exuded his life in diplomatic monsoon. Screen opens with a search of Sarbjit dissolved into a beautiful backdrop of Punjab, where Director started back from 1984, how Sarbjit’s family happily moving with their small wishes. Here we saw a tragic story of his sister Dalbir Kaur but we suddenly moved to the main storyline. Over all 1st half was little howling, Aishwarya Rai Bachchan who is playing Sarbjit’s sister role was sometimes over dramatic, why Director wants her to scream, please do not do it, her beautiful face is not just to yell, she has more depth than that. But after interval when suffering gets some light automatically our senses start fighting with the emotional jolts.

Basically through Sarbjit’s sister we saw this journey but at the same time the negation of humanity, senseless political system and never ending fight of a normal people. One can easily understand the feeling of a family who is battling against all odds and the person who don’t know why he is in prison and for what he has been punished for so long.

Randip Hooda is at his best, I am watching him since ‘D’ and I must appreciate his endeavor that lingers him in a good league of actors. Richa Chadda played his wife’s role, she is not very vocal but her silence makes you cry for sure, a shot when Dalbir Kaur attempts suicide, the performance she delivers is a crux of her acting skills. Cinematography is good, some shots are memorable, the one where we have 1st encounter with the cage of Sarbjit.

May this film looks little lengthy but suffering is endless.              

AddThis Social Bookmark Button
Links to this post

Design by Amanda @ Blogger Buster